{"type":"video","version":"1.0","html":"<iframe src=\"https://www.loom.com/embed/9599e24abf964ddeb001a99dd53602e9\" frameborder=\"0\" width=\"1920\" height=\"1440\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>","height":1440,"width":1920,"provider_name":"Loom","provider_url":"https://www.loom.com","thumbnail_height":1440,"thumbnail_width":1920,"thumbnail_url":"https://cdn.loom.com/sessions/thumbnails/9599e24abf964ddeb001a99dd53602e9-6a5358227523d826.gif","duration":374.766667,"title":"數位文藝復興時代的贏家","description":"這則Loom在談數位文藝復興 Race and Rise 的核心主張與召集目標。作者回顧參加Alex and Mozi主辦的商業大使班，總價值超過300萬台幣，卻發現中文內容創作仍停留在演演虛假人設與追演算法的階段，缺少可真正落地變現的創作者模式。她認為需要結合商業與創作的下一代文藝復興博學者，透過故事與美學、探索工具與生活實踐來建立長期價值。Race and Rise被描述為行動者加速器，提供實戰啟動系統，包含藝人創業藍圖等設計，並提到2015年是數位文藝復興的開端。"}