<?xml version="1.0" encoding="UTF-8"?><oembed><type>video</type><version>1.0</version><html>&lt;iframe src=&quot;https://www.loom.com/embed/9ef9319c47a6492199cd37ebe3f86455&quot; frameborder=&quot;0&quot; width=&quot;1920&quot; height=&quot;1440&quot; webkitallowfullscreen mozallowfullscreen allowfullscreen&gt;&lt;/iframe&gt;</html><height>1440</height><width>1920</width><provider_name>Loom</provider_name><provider_url>https://www.loom.com</provider_url><thumbnail_height>1440</thumbnail_height><thumbnail_width>1920</thumbnail_width><thumbnail_url>https://cdn.loom.com/sessions/thumbnails/9ef9319c47a6492199cd37ebe3f86455-7a99e00c9146b02d.gif</thumbnail_url><duration>558.989</duration><title>Production File Setup Overview</title><description>In this video, I provided an overview of the production file setup, focusing on panel types and key parameters. It&apos;s crucial that the artboards are set to a vertical orientation for accurate linear calculations, with a maximum panel size of 195 inches by 53 inches. I emphasized the importance of including a quarter-inch bleed outside the cut path to account for any potential plotter shift, and each panel must have a clear identification tag. Additionally, I outlined the necessary layer structure for both large and contour cut panels, ensuring that everything is set to CMYK color mode. Please make sure to follow these guidelines closely when preparing your files.</description></oembed>